重庆大学硕士学位论文
（学术学位）
学生姓名：赵*
潘虹主演的电影指导教师：宋红玲教授专业：戏剧与影视学学科门类：艺术学
傻傻爱你重庆大学美视电影学院尼坤推特
二O一四年五月
佘诗曼郑嘉颖Pan Hong Performing
Arts Research
A Thesis Submitted to Chongqing University
in Partial Fulfillment of the Requirement for the
h的动漫Master‟s Degree of Film Studies
By
Zhao Xi
Supervised by Prof. Song Hongling Specialty: Drama and Cinematic Art Studies
College of Meishi Film Academy of
Chongqing University, Chongqing, China.
May, 2014
摘要
潘虹从20世纪70年代至今一直活跃在中国影视界的银幕和荧屏上，在某种程度上她已经成为了演艺界的符号和象征。她的敬业精神和奉献精神，赢得了观众和媒体的尊重和好评，也为她赢得了“德艺双馨常青树”、“悲剧皇后”、史上“金鸡第一人”等荣誉。潘虹的表演特点具有丰富的表现力和巨大的张力，她塑造了多样的女性形象，具有鲜明的表演风格。潘虹的表演生涯跨度很大，她的表演跨越了中国改革开放至今三十多年的历程，她的演绎生涯是和我国社会、文化发展变化息息相关的，她创造的人物具有鲜明的时代烙印，她代表了特定阶段我国女性形象。
本文从潘虹不同时期和不同类型的影片中塑造的经典人物形象入手，深入挖掘潘虹在电影表演艺术之路上的成长和变化，从而到潘虹取得成功的原因所在。同时，通过对潘虹的表演研究，挖掘潘虹电影表演中人物形象塑造的转型与我国电影市场化之间的关系。
杨梅怎么保存时间长潘虹是自改革开放后我国首屈一指的银幕和荧屏上的大青衣，她塑造了很多让人难以忘怀的角，陆文婷，李彤，婉容等等。这些角每一个都深入人心，给潘虹演艺事业带来了很多的收获。“悲美人”的称号就是对她的肯定。但同时也给她打上本演员的印记。潘虹通过电影《股疯》中人物形象的创作，破除了圈内外人们对她的本演员的认识，突破了她本身的性格屏障，使得她从此戏路大改，创作出了许多具有鲜明性格的人物形象。这中间的过程和原因，本文将结合中国电影发展进行研究分析。研究潘虹的电影表演艺术和她独特的电影表演风格转变经历，结合中国电影发展变革时期的电影演员转型塑造，进行一个全面的剖析。纵向研究潘虹从影经历及表演技巧的成熟过程，横向研究中国电影市场的发展变革对演员表演转型的影响，同时探讨本表演和性格表演在电影表演中的重要性。
关键字：潘虹，角塑造，表演风格，电影市场化
ABSTRACT
From the 1970s to now, the name Pan Hong has incessantly been appearing on the screens in China, and she has become the mark and symbol in show business to some extent. The spirit of her
devoting to work has earned respect from audience and media, and also won the honor of “excellenc e in both performing skills and moral integrity as evergreen tree ”, “the Queen of Tragedy”, “the first to win Gold Rooster Award” in history, and so on. Pan Hong‟s performance contains characteristics of rich expression and enormous tension. Her acting career is closely bound up with China‟s society and cultures, and in some degree her performance could be symbolized as the female image of certain period in China.
This paper starts with the classical characters shaped in various types of movies and in different periods, and deeply explores the growth and transformation on the way of her per formance so as to reveal the factors leading to Pan Hong‟s success. Meanwhile, by studying the performance of Pan Hong, the relationship between Pan Hong‟s acting transformation and China‟s film industrialization is also to be dug into.
Pan Hong is the second to none actress on screens from the Reform and opening up policy in China. She has molded many unforgettable roles such as Lu Wenting, Li Tong, Wan Rong and so on. Each of the roles is placed deeply into people‟s mind, and Pan Hong has gained a lot fr om them. The honor “Beauty of Tragedy”is the affirmation of her performance. While at the same she is marked as an instinctive actor. Through the creation of the film Shanghai Fever, Pan Hong broke down the tradit
ional opinions of her image as an instinctive actor and broke through her own personality barrier. Then she made a huge change of the acting way and created many roles with distinctive personalities. This paper combines China‟s film development to analyze the above process and factors. The performance of Pan Hong and her unique performance style transformation experiences are studied and a thorough analysis has been made on the film actors‟s transformation during the period of China‟s film reformation. A longitudinal research has been made on Pan Ho ng‟s acting experiences and the maturation process of her performance, and a cross-sectional study is conducted on the
effects of film reformation on actors‟s transformation. Meanwhile, the significance of instinctive and personal performance in film performance are also explored in this paper.
Keywords: Pan Hong, characterization, performance style, film industrialization
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