浅析呼啸山庄女主人公的爱情悲剧
英国19世纪女作家艾米莉勃朗特在呼啸山庄中刻画了女主人公凯瑟琳恩肖对希刺克利夫的爱情.凯瑟琳的爱情并非以缠绵悱恻感人,而是以强烈深刻震撼人的心灵,她的爱情悲剧具有深刻的哲理意义社会意义.凯瑟琳对希刺克利夫的爱情的产生既非由于受到他外貌性格的吸引,更非由于地位名利的世俗打算.他们的爱情是在反抗辛德雷等人的压迫和暴虐中建立起来的他们的爱情是深刻的,强烈的.希刺克利夫是老恩肖捡回来的一个弃儿,外貌性格都十分粗野,受到少爷辛德雷的歧视和虐待.凯瑟琳是呼啸山庄这所荒原上的一株生命之花,她活泼,任性,个性强悍.她憎恨辛德雷对她的欺压,而且出自她不受拘束的自然天性,同情并站在希刺克利夫一边,从不以上等阶级的傲慢轻视他.她对希刺克利夫的爱情并不温柔,但却十分强烈.她爱希刺克利夫并非因为他可爱而是因为她的灵魂与他的灵魂一模一样,出于真正意义上爱情的需要.凯瑟琳曾对耐莉分析过自己的这种感情:“不是因为他漂亮,耐莉,而是因为他比我更象我自己.不论我们的灵魂是什么,做成的他的和我的是一模一样的.—在这个世界上,我的最大的悲痛就是希刺克利夫的悲痛, 而且我从一开始就注意和感受到了,在我的生活中,他是我思想的中心.如果别的一切都毁了,而他还留下来,我就能继续活下去,如果别的一切都留下来,而他却给消失了,这个世界对于我将成为一个极陌生的地方.”由此可以看出,凯瑟琳和希刺克利夫之间的爱情的性质不同于普通的男女爱情,他们
的爱情由于是建立在反对辛德雷等人的压迫暴虐的基础上,所以他本身就包含着深刻的人性,体现着对正义和人道的追求,体现着生命的价值.背叛这种爱情就意味着背叛人性,痛弃生命本身.凯瑟琳后来痛弃了这种爱情,选择并嫁给了画眉山庄的主人富有的林,她幻想能帮助希刺克利夫离开,能把他放在一个辛德雷无权过问的地方.她错了,希刺克利夫离开了她,等她再见到他时,她发现她无法消弥林惇与希刺克利夫之间的对立与仇恨.林惇以对待下等阶级的态度对待希刺克利夫,他与辛德雷并无两样,希刺克利夫也要向这个靠地位和财产夺去了他的恋人的仇人复仇,凯瑟琳永远无法实现她的爱情了,最后走向疯狂与死亡.小说对凯瑟琳的爱情刻画是哲理性的而非伦理性的.小说通过凯瑟琳的爱情悲剧,深刻表现了情感与理性,理想与现实,灵与肉种种矛盾冲突.就自然本性而言,凯瑟琳只爱希刺克利夫,至死如此.在她的身上有最深刻强烈的爱情,她的情感与作为坦白真诚,毫无造作之矫饰,就社会中的人而言,她的选择又在情理中,因为只有与林惇结合她才能够在那个社会中生存下去,她的选择是现实而不是浪漫的,是任何一个在社会中生活的人的实际选择.凯瑟琳爱情的悲剧在于,她一方面意识到自己灵魂中真正爱情的欲求,另一方面又意识到了社会性的理性约束女主角很强的小说,对于她,希刺克利夫代表着爱情,她要以全部的精神牢牢地坚守着,林惇代表着她在那个社会赖以生存的基础,她又无法舍弃,在凯瑟琳身上情与理,灵与肉,理想与现实是分裂的,种种矛盾冲突使她倍受痛苦折磨,导致了她精神疯狂与
肉体死亡,最后酿成悲剧,凯瑟琳的爱情悲剧中包含着丰富的哲理意蕴.凯瑟琳的爱情悲剧是一个社会悲剧,呼啸山庄是1847年维多利亚时代生活的反映,在约克郡荒原的偏僻庄园里,凯瑟琳是无法从爱情出发选择婚姻的,即使凯瑟琳选择与希刺克利夫结合,也不可能实现她与希刺克利夫那种意义上的爱情,凯瑟琳只能选择林惇,她的爱情注定是个悲剧.社会存在决定了凯瑟琳的选择是不自由的.
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Is established in against Hindley, people of oppression oppressive of Foundation Shang, so he itself on contains with deep of humanity, reflected with on justice and humanitarian of pu
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Heathcliff
  He is a fictional character in the novel . Owing to the novel's enduring fame and popularity, he is often regarded as an archetype of the tortured. He can also be viewed as a reflection and product of his psychological past: the abuse, neglect and scorn of those with whom he grows up render him. His complicated, mesmerizing and altogether bizarre nature makes him a rare character, with components of both the hero and the anti-hero.