Abstract
In the process of tracing the history of civilization, the literature has been acting as a record and influence of human activities. The role of the development of modern science and technology has brought the birth of this unique form of artistic expression. Literature and film closely, many film and television creation inspired by the literary works of literary works were adapted, is an important means of a lot of film and television the creation of Eileen Chang's fiction has always enjoyed "paper movie" of the title, and she herself to the color, picture, music are research, and can reveal the true feelings of the heart in between the lines.
Although Eileen Chang the strange woman born a century ago, but her works always stay in our sight. Compared with 1990s and twenty-first Century, the current research on Eileen Chang's works adapted not much progress, but Eileen Chang has always been keen to explore many scholars, the research on her personal has been in an important position.
The first chapter briefly summarizes Eileen Chang's novels from twentieth Century 80 to twenty-first Century the film adaptation process. Based on the film adaptation of the Eileen Chang novel works were summarized and thinking. Many directors
of Eileen Chang's novel obsessed, including the famous Hongkong director Xu Anhua, Stanley Kwan, they were very successful in the "little love", "red rose the white rose" "half life" onto the big screen, but also Chinese chapter, a Taiwan director will resent onto the big screen. Director Ang Lee's adaptation of "color abstains" is even more interesting, even in the world viewing boom, "the golden cangue" "half life" "city love >The TV version also caused the attention of the community. In the second chapter, the concrete show the connections between Eileen Chang's novels and movies, shows the Legendary Novels of Eileen Chang characters, strong sense of the screen, the film narrative style. And clever use of color, montage light, omniscient and omnipotent narration and other film techniques, more easy to film creation. But between the movie and TV itself can not be separated, the era of Eileen Chang's life, although it has not yet been invented, but in the movie popular era, she learned a lot of inspiration from the movieThe third chapter is to explain the plight of Eileen Chang's novel adaptation of film and television, that is, the unique language style of the novel of Eileen Chang is very difficult to film and television, and it is difficult to use the image to display the bleak style Literary works, or works, the purpose is to cultivate people's aesthetic sentiment, enrich the spiritual life of the audience. This paper will focus on the film and television
adaptation of Eileen Chang's novel features, in the exploration to the research of current Eileen Chang will play a valuable role.
Key words: Eileen Chang; film quality; film; TV series; film adaptation
目 录
摘要 .............................................................................................................................. II Abstract ..................................................................................................................... I V 绪 论 .. (1)
第一节模仿原著，改编亦步亦趋 (8)
第二节尊重原著，编导个性凸显 (10)
第三节忠实原著，导演创新超越 (16)
第四节张爱玲小说电视剧改编 (19)
第二章张爱玲小说文本的影视特质 (23)
第一节传奇性故事 (23)
第二节画面感构图 (25)许鞍华
第三节影视化叙事 (32)
第三章张爱玲小说影视改编的困境 (36)
第一节奇喻：语言的瓶颈 (37)
第二节苍凉：风格的弱化 (40)
结语 (45)
参考文献 (46)
绪 论
一、研究缘由
伴随着80年代以来的文学改编热潮，张爱玲小说也开始反复出现在荧屏中，在此引起了观众的关注，形成了张爱玲小说改编热潮。伴随着影视改编的成熟，张爱玲小说再次得到广泛传播。与其他文学作品改编的情况相同，是否符合原著是一个经久不衰的讨论问题。张爱玲其人其文以及与影视改编的关系一再为公众关注。影视改编的选择文本首先必然是有强大改编空间的作品，张爱玲的作品即是如此。
首先是张爱玲小说情节性强，戏剧矛盾和冲突激烈，对于追求故事性的影视文本是极为有利的。其次是张爱玲小说人物对白简洁有个性，环境描写细致还原度高，有利于影视表现。最后是改编后的影视作品频频获奖，也让更多的人认识了这位知名的女作家张爱玲。
“张爱玲热”不仅出现在现当代文学领域，在影视界也是广受欢迎。张爱玲的经典作品《半生缘》《倾城之恋》《红玫瑰与白玫瑰》《戒》等都被搬上荧屏，并呈现出不断扩大的趋势，呈现出张爱玲影视改编热。影视热又会返过来促进文学热，再次使张爱玲其人其文进入公众视野。著名媒介理论家麦克卢汉的“媒介即讯息”对于我们理解不同媒介之间作品的改编也是极为有效的。作品的跨媒介传播必然丰富或损失文本信息，伴随的是强烈的社会争议。但是不可否认的是，无论是肯定改编的丰富性，还是质疑改编的可能性，改编本身促进观众再次关注作品、了解作品，再度获得审美体验都是其内在之义。张爱玲作品的现代性也再度得到体现。此外，80年代以来的文学作品影视改编热也促进了我们影视产业的发展，兼具艺术效益和商业效益。
（一）电影
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